In the center of the City of Provo, Utah there is a large building made of brown brick. It is called the Provo Tabernacle. This particular tabernacle is built on the southwest plot where Center Street and University Avenue, the two arterial streets of Provo, intersect. This tabernacle is the hero of our story.
The Architect of the tabernacle wanted to create a building at the center of the city to represent the spiritual center of that society. The finest materials were gathered to build it and many people helped in its construction. The organ inside was costly, the woodwork and balconies took specific and unique skills to construct. When she was dedicated on April 17, 1898, the Tabernacle marveled at her beauty and magnificence. The people who had built her had sacrificed their time and money to construct her. The tabernacle could hold a congregation or audience of 3,000 people. She enjoyed the performances of many well known musicians, including Sergei Rachmaninoff. Her pulpit would play host to many speakers, including Provo Mayors, professors from the University, a President of the United States, Prophets, Seers, and Revelators.
After many years, as with any temporal structure, the Tabernacle begin to fall into disrepair. The cupola atop the edifice was removed because the magnificent roof had begun to sag. While many people still enjoyed its use, the tabernacle waned in her significance and novelty. As the building’s pipes and wires aged, they were replaced, and the grounds kept watered and tame. She gained a respect, her magnificence transformed into veneration. Many people began to see the tabernacle as a building that had always been and that would always be just that, a tabernacle.
The neighborhood around the tabernacle also transformed. With the advent of superstores and supermarkets, the downtown business district lost its charm and gained several pawn shops and seedy motels. The Architect watched in sadness as his building’s importance waning purpose was forgotten. The building became a place to attend an offhand graduation ceremony or stake conference. People began to forget her beauty. Almost no one remembered the sacrifices that the people who built it had endured to give this gift.
The tabernacle was content to enjoy her life outside of the limelight. She enjoyed watching the Fourth of July parades and festivities every year. She particularly enjoyed special performances from visiting music groups. It was then that she felt alive and useful again. Year after year she was the silent, penitent receptor of words of wisdom and beautiful music.
The Architect was happy because she was happy. To her creator, the tabernacle’s happiness was most important. Time passed, and things stayed rather the same. The Architect was only saddened because her potential had not been met. She was a beautiful old building but she did not serve as a spiritual center for her visitors. The friends she had gathered did not instil a sense of beauty or hope. When the Old Brigham Young Academy north of her was saved from demolition and re established as the city library, she rejoiced and wondered at the fortunes of those who fall on hard times.
Everything changed on one cold, Christmastime night in 2010. A lamp had been left on in the tabernacle. The heat from the lamp interacted with some chemicals and cloths and the unthinkable occurred. A small fire started and began to feed on the old curtains and carpets of the tabernacle. Her beautiful woodwork began to become scorched. For quite a while that night, the tabernacle hid the damage occurring inside of her, with shame. The quickness of the flame in overtaking her was startling. She had been content with her old pipes, and furnishings, but they were unable to serve her when the sprinkler system failed and the flames grew larger.
For weeks after the fire, people were shocked. They had expected the Tabernacle to always be what she had appeared to be, a tabernacle. The tabernacle was in a lot of pain. The old pipes and wires were something that nobody could see, so she had not been ashamed of her aging, but the fire had exposed many of her private weaknesses and histories to anyone who walked near her. She thought of the purpose that her Architect had given her and wept. She did not resemble any sort of spiritual center any more. She was broken, burnt, and worthless. She began to listen to the fire department officials as they deconstructed the reason for her demise. She heard the news reporters question her future. She gave up hope on her purpose. She understood that her Architect had built her weak enough to be conquered. She decided to believe the voices of the people around her that said she could not be anything greater than the debris she had become.
That was a long, cold winter. She wished they would knock her walls down and finish the job that the fire had started.
Then came whispers from different voices. A university student excited about discovering the original pattern of wallpaper from the architect, a group of Provo citizens concerned with her preservation, and rumors of a new purpose for the tabernacle.
One late night a redheaded boy walked slowly in front of her. She was surrounded by fences, her windows boarded up, her beautiful trees burned or cut down; her grass was yellow. The boy paused and looked at his feet. He turned and looked at the scorched brick and walls held up by supports. He sighed and looked at the debris. He began to cry. He sat down on the traffic barricade and sobbed. He tucked his knees under his chin and wailed. The tabernacle, ashamed at her appearance, tried with all of her might to comfort the boy. Frustrated, that she could not fulfill her purpose to comfort his spirit, she became angry at her Architect and cursed Him for ever being constructed.
Then something very unusual happened. The boy began to talk to the tabernacle. “You and I aren’t that different,” he sobbed. “I feel just like you look.” The tabernacle was surprised because the only things that talked to her were other buildings...and her Architect. What was this boy trying to do? What was his purpose? Why would he come consult an old, broken, burnt, tabernacle for comfort when she had no comfort to give? The boy began to talk out loud to his own Architect, his Creator. He talked of loneliness, of regret, and anger. He plead for help, for patience, for hope.
The tabernacle wondered at the boy. She understood his regret at not fulfilling his purpose. She understood that he too was burnt and broken. Then the boy asked something that astounded the tabernacle. He asked his Creator if the tabernacle could please be rebuilt as a Holy Temple. The tabernacle was flattered at such a prospect, but she knew that it was not possible. Provo already had a temple, and she could never be good enough to be such a building, especially now that she had given up on her purpose.
Months passed and the boy and the tabernacle forgot that prayer. The tabernacle became comfortable as debris, and welcomed the new attention she was getting. One day, her Architect came to inspect her. She was worried that her Architect would be disappointed. She wished she had been dismantled and sold off as souvenirs. Her Architect blinked tears away as he took off a hard hat. “She is so beautiful,” he said. “These walls were built with such hope and sacrifice, by those who loved her. This tabernacle was a spiritual center for many generations of people. We love her so much, just as she is now.” The tabernacle was surprised to know that her burnt and broken pieces could be loved. She began to understand something. She was not debris. She was not a landmark. She wasn’t even a tabernacle. She was something much more important. She was the reason that the boy had decided to continue living. She was fulfilling her purpose, even in her weakened and dilapidated state.
The Architect spoke again, “Yes, it can be done. It is going to take a lot of time, it is going to take an agonizing amount of work, it is going to get worse before it gets better. We are going to have to be very careful and diligent. All of my workers must follow my instructions carefully, in order to finish this Temple.” The tabernacle was shocked. She knew she was not a temple, she couldn’t be. She was ugly, burnt, and broken. Worst of all, she had not been fulfilling her purpose as she should. She would not believe.
Many people came to see her and offer advice. Plans were made, and plans were remade. There were voices that argued that she could not be a temple, there were voices that said that the resources and sacrifice needed to make her into a temple were not worth what she was. She liked listening to those voices, because she agreed. A Prophet came to dedicate and break her ground to become a Temple. She still did not believe.
She was shown a picture of what she would become and she feared at the beauty of that ideal. She did not understand how she could possibly obtain such grace and beauty. She doubted she would ever look as great as what they promised she could look. The Nu Skin building laughed at her aspirations and told her that he would always stand much taller and generate more money than she ever would. She convinced herself that she would be a better market than a temple, or maybe a stage.
Some of the Architect’s workers became frustrated with the tabernacle, because it took so much time to change her. The workers looked at the tabernacle and saw debris. They wondered why they were doing this. The tabernacle plead with the workers to please have patience. She had begun to catch the Architect’s vision. The workers complained to the Architect, but the Architect asked the workers to keep scraping, keep removing, keep digging, continue strengthening. He reminded them that this was not the easiest way to do things, but it was the best way.
One cold, rainy, April night, the Tabernacle felt particularly lonely and hopeless. She was standing on several steel beams, but she felt like she was floating in midair. There was no foundation for her to keep herself solid. “I am not a very good temple,” she thought. “How long is this going to take? Is it even possible for such as I to become something so great?”
She looked down at the street in front of her and noticed the redheaded boy from over a year before standing in front of her. She could tell he had been crying. He stood on top of the traffic barricade and looked at her steel beams and wondered. He then did that weird thing he liked to do and started talking to her. “You are doing so well! Look at how far you have come! Remember when you didn’t even know you were a temple!?”
The tabernacle began to take courage. The boy said, “Do you know what the word tabernacle means?” The old bricks creaked in the wind as with a shake of the head. “It means, temporary dwelling.” The tabernacle frowned at this discovery. The boy got really excited and said, “The Architect always meant for you to be a Temple. He has just been working with you until you were ready to understand that you are not a meeting house. You are not a tabernacle and you are certainly not debris. You are a Temple!” The Temple understood what he meant. She realized what the Architect wanted her to become and it filled her with joy. Her hollow center, her broken windows, her removed ceiling, her absent landscape, the rain water flooding beneath her, the lies she had been told, the limitations she had given herself all vanished. She was a Temple, even now.
The boy laughed and skipped. He loosened his tie and he unbuttoned his top button. He grabbed the fence and smiled. He leaned in close and whispered very softly, “And so am I!”
